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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Fred Williams
Fred Williams
Fred Williams

Fred Williams, 1980

Andrew Sibley
Portrait, pencil and watercolour on paper

Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.

Study for portrait of Senator John Button
Study for portrait of Senator John Button
Study for portrait of Senator John Button

Study for portrait of Senator John Button, 1992

Andrew Sibley
Portrait, pencil on paper

Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.

Senator John Button
Senator John Button
Senator John Button

Senator John Button, 1987

Andrew Sibley
Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of the artist 1999
Donated through the Australian Government's Cultural Gifts Program

Self portrait

Self Creation

Magazine article by Andrew Sayers AM, 2006

Former National Portrait Gallery Director, Andrew Sayers recalls meeting iconic Australian artist Sidney Nolan.

 
Mick Molloy
Mick Molloy
Mick Molloy

Mick Molloy, 2009

Andrew Maccoll
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2009

Portrait of Ambrose Patterson

Velasquez Touch

Magazine article by Andrew Sayers AM, 2004

Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Nicholas Paspaley Jnr
Nicholas Paspaley Jnr
Nicholas Paspaley Jnr

Nicholas Paspaley Jnr, 2018

Andrew Bonneau
Portrait, oil on canvas

Commissioned with funds provided by Ross Adler AC 2018

Self portrait, 1970

Painters' paradise

Magazine article by Andrew Sayers AM, 2007

Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
Self portrait with gladioli

Facing Facts

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Self portrait

Me Myself I

Magazine article by Andrew Sayers AM, 2001

Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.
Shane Warne

Flash

Australian Athletes in Focus
Previous exhibition, 2006

Introduction The National Portrait Gallery’s photographic exhibition Flash: Australian Athletes in Focus explores various interpretations of Australian sporting men and women.
Margaret Whitlam

Open Air

Portraits in the Landscape
Previous exhibition, 2008

Open Air is an exhibition of portraits of Australians in environments of particular significance to them.
My Favourite Australian

My Favourite Australian

Previous exhibition, 2008

My Favourite Australian is a project developed in collaboration with ABC TV and the people of Australia.
Self portrait with gladioli

Money and swat

Magazine article by Andrew Sayers AM, 2007

Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.
James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
Self portrait with gladioli

Courage, Self-analysis and Skill

Magazine article by Andrew Sayers AM, 2002

The story behind George Lambert's Self-portrait with Gladioli.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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